Full specification for Olympus TG310 and review



Full specification for Olympus TG310
Sensor 1/2.3in CCD, 14.5 megapixels total, 14 megapixels effective
Lens 28-102mm f/3.5-5.1
LCD 2.7in TFT, 230,000 dots
File Formats JPEG, MPEG-4
Shutter Speeds 1/4 - 1/2000sec (< 4 sec in Night scene mode)
Exposure Modes iAuto, Program, 17 scene
Metering System ESP light metering, spot metering
ISO Range Auto, ISO 80-1600
White Balance Auto, Overcast, Sunlight, Tungsten, Flourescent 1, Underwater
Flash Modes Auto, red-eye reduction, fill-in, off
Memory Card SD, SDHC, SDXC, 19.5MB internal memory
Connectivity USB 2.0, HMDI
Power Rechargeable LI-42B lithium-ion battery (supplied)
Dimensions 96.3 x 63.4 x 22.7mm
Weight 155 g (including battery and memory card)
Other
Manufacturer website: Olympus


The Olympus TG310's 'life-proof' compact category has welcomed many new members in the past couple of years - to the point where it's more diverse than its ever been. Olympus has been at it longer than most, though, with its TOUGH series rising from the ashes of its former SW range, and a steady stream of models protected not just against water incursion, but also against freezing temperatures and accidental dropping, too. The Olympus TG310 looks to extend this legacy yet further... 

The Olympus TG310 is one of three new releases in the company's series, offering waterproof capabilities to a depth of 3m and freezeproofing down to -10°C, while it can also be dropped from a maximum height of 1.5m without any damage occurring. Olympus also claims to have made the TG310 resistant against scratches, but equal attention has been paid to what's on the inside of the camera, to match its hard-wearing credentials with plenty of up-to-date functionality.

At the TG310's heart lies a 14MP sensor, that, in addition to its stills functionality, is also capable of capturing 720p HD movies. The camera's optic only covers a modest 3.6x optical zoom range, but it begins from a relatively wideangle 28mm-equivalent focal length, while Dual Image Stabilisation combines both sensor and ISO sensitivity shifting to combat blurring.

Behind the TG310's sealed side door lies a battery compartment, as well as USB 2.0 and HDMI mini ports, plus a slot for SD, SDHC and SDXC media formats. The TG310 also boasts compatibility with Eye-Fi media for wireless transferring of images and videos.

Around the back of the TG310 there's a 2.7in LCD screen with a 230k-dot resolution, and a range of controls which have all been sealed with a protective covering. These include a direct movie button and a '?' button, the latter of which explains key functionality and guides novices through using the camera in different situations.

The Olympus TG310 is certainly one of the more attractive cameras of its kind, but the many exposed screws around its body lend it an almost industrial quality appearance to remind you of its capabilities. We expect some concessions for the sake of waterproofing, and while all the buttons are a little on the small side they nevertheless travel well when pressed. It's only the zoom rocker which is slightly unresponsive behind its protective cover, which can become irritating if you tend to call upon it with some frequency.

The TG310 turns on in good time but takes an extra second or so to ready itself. It's very quiet in operation, and when the focusing point is set to the centre of the frame the camera finds the subject quickly. When set to its iESP mode, however, the camera often misses the main subject, even if they're obviously positioned in the middle.

There's a lot to like about the Olympus TG310's images, notably its metering system which is reliable and accurate, even when faced with large bright areas of sky where it only underexposes the main subject a touch. In good light the camera resolves a perfectly respectable level of detail for such a camera, but image noise accompanies every sensitivity setting in most shooting conditions. Colour noise, however, is confined to the higher settings, leaving images shot on lower sensitivities with just a smudgy, watercolour-like texture. Thankfully there's only a slight amount of barrel distortion from the optic at wideangle, to the point where it largely goes unnoticed. Colour is also pleasing in good light, but the LCD screen is a little cold in its reproduction of the scene.

Nikon Coolpix L23 Full specification Review And Price



Full specification for Nikon Coolpix L23

Sensor 1/2.9-in. CCD, 10.1MP effective
Lens 28-140mm f/2.7-6.8
LCD 2.7in LCD, 230,000dots
File Formats JPEG, AVI
Shutter Speeds 1/2000-1sec (4sec in Fireworks show scene mode)
Exposure Modes Easy Auto, Auto, Smart Portrait, 17 Scene
Metering System 256-segment matrix, centre-weighted (in digital zoom setting below 2x), spot (in digital zoom setting above 2x)
ISO Range Auto, ISO 80-1600
White Balance Auto, daylight, incandescent, fluorescent, cloudy, flash, manual
Flash Modes Auto, red-eye, off, on, slow sync
Memory Card SD, SDHC, SDXC, 22MB internal memory
Connectivity USB 2.0
Power 2 x AA
Dimensions 96.7 x 59.9 x 29.3mm
Weight Approx. 170 g (including battery and memory card)
Other
Manufacturer website: Nikon


art Portrait system combines Blink Detection, Skin Softening, Face-Priority AF and Red Eye Fix among other features to help better capture and process portraits, while exposure control comes through Auto and Easy Auto modes, as well as 17 separate scene presets. Blurry images, meanwhile, are tackled in three separate ways, with Motion Detection and Electronic Vibration Reduction, as well as through a Best Shot Selector option that captures 10 images before picking the best.

With no viewfinder, images are composed and displayed solely on the L23's 2.7in LCD screen, which offers a basic 230k-dot resolution. A mini USB port is situated to the side of the camera for transferring images and videos, while a compartment for two AA batteries and an SD-format memory card is accessed from underneath.

As with many cameras which run on AA batteries, the bulge to Coolpix L23's side makes for a comfortable grip, while the large shutter release button and adequate thumb-space on the rear mean that it can be held securely with just one hand. Although there's no help facility of any sort to guide the inexperienced through the camera's different options, most functions are clearly marked throughout the menu system, and handy previews of different white balance and colour options should at least help those undecided on whether they need to be adjusted or not.

Powering up the Nikon L23 takes just over a second or so, with powering down being just a shade faster. While the speed of zooming through the lens's range may be a little too fast for some, the zoom collar around the shutter release button does responds well to gentle nudging. Both zooming and focusing are accompanied by a slight whirring sound, but the L23 is by no means the worst offended here; realistically, this should only be a problem in the quietest of environments.

The Nikon Coolpix L23 has an AF assist light springs into action when required, but the single AF point in the centre of the frame is a little limiting should you want to get more creative with focus. The upshot of this, however, is that as the camera will only focus in one place it can do so promptly in a range of situations - even when faced with a low-contrast subjects.

Image quality varies, but overall there's little to get too excited about. The Coolpix L23 follows its L21 and L22 predecessors in producing heavily-processed images, with plenty of coarse noise on all sensitivities and oversharpening which increases the visibility of jaggies around edge details. Even in good conditions images are often plagued by these kinds of issues, particularly shadow areas which tend to be compromised by noise patterning. For the target market these issues may not be too great a problem, as the expectations will simply be for well-exposed images with a reasonable level of accuracy. Point-and-shoot snapping that's not for critical work means the L23 will be fine for snapping pictures of friends and family. And the good news is that, aside from a few overexposure issues, the metering system generally gets things right, and white balance also doesn't do too badly (even under artificial light), although the occasional colder cast is visible in images. Quite whether the expected user for such a camera will use the preset manual white balance option is debatable, but its implementation is surprisingly excellent. Many images taken with flash also retain a pleasing neutrality, which is so often lost with other budget compacts, and distortion from the lens at wide angle is noticeable but not particularly problematic in images.
Price: £60.00

Samsung ST93 16MP compact announced



The new Samsung ST93 offers a number of impressive specs, including a 16MP sensor and 5x zoom. The lens starts at a wide 26mm which is both optically and digitally stabilized. Offering 720p HD video recording at 30 frames per second along with zoom functionality will please the occasional movie-shooter, and the Magic Frame feature sounds fun at the very least.
With a huge amount of compacts vying for elbow room in the camera market with a similar feature list to the ST93, but the £129.99 SRP should turn a few heads at the very least. The huge resolution of the sensor will also create some interest, although how the in-camera processing copes with that amount of information remains to be seen.
The Samsung ST93 will be on sale next month, for more information go to www.samsung.co.uk 

Sony Alpha A290 Specification and review

At its heart the A290 employs a 14.2-megapixel APS-C sized CCD sensor and Sony's BIONZ image processor. In addition to the standard DSLR quartet of Program, Aperture priority, Shutter priority and Manual shooting modes, the A290 also offers a fully Automatic point-and-shoot mode along with a number of specific scene modes. This gives the novice user the flexibility to learn the ropes by taking control of the camera, with the safety net of a point-and-shoot mode when required.

Full specification for Sony Alpha A290

Sensor 14.1 megapixels APS-C CCD sensor, 23.5 x 15.7mm
Output Size 4592 x 3056 pixels
Focal Length Mag 1.5x
Lens Mount Sony A-Mount (Minolta/Konica A-Mount compatible)
File Format Raw (Sony .ARW), JPEG, Raw + JPEG
Compression JPEG Fine or Standard, Large (14MP), Medium (7.7MP), Small (3.5MP) - all sizes approximate
ISO 100-3200
Shutter Speeds 1/4000–30secs, bulb
Drive Mode Single, Continuous, 10sec and 2sec timer, Self-timer continuous, Continuous advance AE bracketing, Remote commander
Viewfinder Type Fixed eye-level system with roof mirror
Field of View 95%
LCD 2.7in, 230k-dot
Live Mode No
Movie Mode No
Built-in Image Stabilisation Yes, Super SteadyShot sensor-based stabilisation
Dust Reduction Yes, anti-static coating and CCD shift mechanism
Focusing Modes Single shot, Continuous, Automatic, Manual
Exposure Modes P, A, S, M, Auto, Scene, Flash off, Macro
Metering System 40-segment honeycomb-pattern SPC
Exposure Comp Yes, ±2.0EV (in 0.3 steps)
Colour Space sRGB, Adobe RGB
White Balance Auto, Daylight, Shade, Cloudy, Tungsten, Florescent, Flash, Custom
White Balance Bracket No
Colour Temp Control No
DoF Prview No
Built-in Flash Yes, GN10 (at ISO 100)
Max Flash Sync 1/160th sec
PC Socket No
Cable Release Remote release
Memory Card SD/SDHC
Power Rechargeable li-ion battery
Connectivity HDMI (type C), USB 2.0 (standard mini connection)
Dimensions 128.1 x 97.1 x 79.6mm
Weight 508g (inc battery and card)
Other
AF Points Nine (with one central cross-type sensor) 

Sony Alpha A290 cameras feature an attractive new grip design that allows more comfortable handling. Upper control areas of A290 models have also been revised with a clear, uncluttered new button layout. With an 18-55mm kit lens included, the DSLR-A290 is listed at $500 and currently selling at around $440. Here is the summary of review by NeutralDay, giving the Sony Alpha DSLR-A290 a rating of 64 out of 100:

"Overall image quality is pretty good, though we notice image noise even at lower ISO, and a general lack of sharpness. The A290 shoots both RAW and JPEG files, we prefer using RAW here at the site, but recognize many users will probably stick with JPEG. JPEG output is about average, there's less detail than the RAW files because of noise removal happening in-camera, and our feeling is that the JPEGs could use more "punch" to satisfy beginners, but there's no question the image quality from the A290 is leaps and bounds better than any compact, and with some post processing (sharpen, boost saturation/vibrancy) - the A290 is capable of some excellent image quality (improved further for sure by a better lens). The A290's low light performance is average and somewhat limited. ISO range tops out at 3200, a range that will make it tricky to get certain indoor shots without flash usage. Image noise is present from ISO 200 onwards (in RAW), but at least saturation is maintained enough so that with some noise removal, ISO 3200 shots are well within the realm of usability.

The Sony A290 is a solid camera for the first time DSLR purchaser. The feature list misses two big ones: Live View and video, and the specifications are a bit dated with an ISO range extending to just 3200, low-res LCD, and a burst rate of 2.5 fps. Still the A290 is fairly easy to use and takes a far better picture than any compact camera the user might have previously used. It isn't super exciting, and some creative options in-camera might make it more fun to use, but it is super affordable. As such it easily gets recommended for beginners, but more skilled photographers will need to look elsewhere."

Sony Alpha A580 Full specification

 

Full specification for Sony Alpha A580

Sensor 16.2 megapixels Exmor APS HD CMOS sensor
Output Size 4912 x 3264
Focal Length Mag 1.5x
Lens Mount Sony A-mount
File Format Raw, JPEG, RAW + JPEG
Compression Fine or Standard (JPEG)
ISO 100-12,800
Shutter Speeds 30 – 1/4000th second (plus Bulb)
Drive Mode Single, Continuous, 10 seconds and 2 seconds Self-timer, max 7fps in Continuous Advance Priority AE, max 5fps in Drive Mode
Viewfinder Type Optical Viewfinder
Field of View 95% coverage
LCD 3in, 921k-dot, tilt-angle, TruBlack LCD
Live Mode Quick AF Live View
Movie Mode Yes, 1080i HD capture
Built-in Image Stabilisation Yes, sensor-based
Dust Reduction Yes, Charge protection coating on Low-Pass Filter and electromagnetic vibration mechanism
Focusing Modes Single, Automatic, Continuous, Manual Focus
Exposure Modes P, A, S, M, Sweep Panorama, Scene, Flash Off, Auto
Metering System 1200-zone evaluative metering
Exposure Comp Yes, ±2EV (in 1/3 stops)
Colour Space sRGB, Adobe RGB
White Balance Daylight, Shade, Cloudy, Incandescent, Fluorescent, Flash, Setting the color temperature
White Balance Bracket Yes, 3 frames, Selectable 2 steps
Colour Temp Control 2500 – 9900 Kelvin
DoF Prview Yes
Built-in Flash Yes, GN10 Max Flash Sync 1/160th sec
Max Flash Sync 1/160th sec
PC Socket No
Cable Release Yes
Memory Card SD (HC/XC), MS Duo
Power Rechargeable li-ion battery
Connectivity HDMI (c-type), USB (standard mini connection)
Dimensions 137 x 104 x 84mm
Weight 599g
Other
AF Points 15-point system with 3 cross-type sensors
Manufacturer website: Sony

Nikon COOLPIX S2500 – Specificaties And Price





 COOLPIX S2500 – Specificaties 
Effectieve pixels 12,0 miljoen pixels
Beeldsensor Type: 1/2,3-inch interline-transfer CCD; kleurfilterarray: RGB-filter; totaal aantal pixels: circa 12,39 miljoen pixels; opnamepixels: circa 12,00 miljoen pixels (4000 x 3000)
ObjectiefNIKKOR-objectief met 4x optische zoom; brandpuntsafstand: 4,9-19,6 mm (kleinbeeldequivalent van 27-108 mm); diafragma: f/3.2-5.9; objectiefconstructie: 6 elementen in 5 groepen
Scherpstelbereik (afstand tot objectief)Normale opnamen: circa 50 cm tot oneindig (in de groothoekstand), circa 50 cm tot oneindig (in de telestand); macro-close-upstand: circa 8 cm tot oneindig (bij de kortste scherpstelafstand), circa 50 cm tot oneindig (in de telestand)
MonitorGrootte: 6,7 cm (2,7 inch); aantal beeldpunten: circa 230.000; type: TFT-lcd-monitor; (acryl)bescherming: anti-reflectiecoating, geen beschermkapje
OpslagmediaIntern geheugen (circa 16 MB), SD/SDHC/SDXC-geheugenkaart*1
Vibratiereductie (VR)Elektronisch; andere functies tegen onscherpte: bewegingsdetectie (conventioneel), BSS (Best Shot Selector)
ISO-gevoeligheidISO 80, 100, 200, 400, 800, 1600, 3200 (4000 x 3000), Automatisch (ISO 80 tot 1600), Vast bereik automatisch (ISO 80 tot 400, ISO 80 tot 800)
InterfaceHi-Speed USB/PictBridge
VoedingsbronnenOplaadbare Li-ionbatterij EN-EL19 (700 mAh), lichtnetadapter EH-62G (optie)
Gebruiksduur batterijCirca 220 beelden met EN-EL19
Afmetingen (BxHxD)Circa 93,1 x 57,1 x 20,0 mm (zonder uitstekende delen)
GewichtCirca 117 gram (inclusief batterij en SD-geheugenkaart)
FilmVGA: 640 x 480 (30 bps), QVGA: 320 x 240 (30 bps)
Meegeleverde accessoiresCamerariem AN-CP19, oplaadbare Li-ionbatterij EN-EL19, lichtnetlaadadapter EH-69P, USB-kabel UC-E6, AV-kabel EG-CP14, cd-rom met ViewNX 2
Optionele accessoiresOplaadbare Li-ionbatterij EN-EL19, lichtnetlaadadapter EH-69P, batterijlader MH-66, lichtnetadapter EH-62G, USB-kabel UC-E6, AV-kabel EG-CP14



Price: $18.99

Nikon Coolpix S3100 Review - Features-Specification



The Nikon Coolpix S3100 sports a 14MP sensor, which is becoming more standard in the current climate of high resolution compact cameras. There's also a 5x optical zoom with a 26mm wide angle lens and both ISO and electronic image stabilization. The rear LCD is 2.7inch, which is a touch disappointing for a camera that has plenty of space to fill, and a Smart Portrait System which uses a variety of scene modes and post processing functions to take a more appealing end product. The upgraded EXPEED C2 processing engine should improve the likes of low light performance and movie mode, which is presented in the 720p HD resolution at 30fps.

Nikon Coolpix S3100 Review - Design

One of the main selling points of the Nikon Coolix S3100 is the smooth, thin exterior making it more attractive to the eye and pleasing to the pocket, being able to easily slide into a small pouch quite easily. In spite of being only 18.4mm thin the zoom control and power button still sit on top, accompanied by the shutter release. The zoom feels decidedly plasticy and moves around outside the normal lateral movement far too much to inspire confidence in the build quality. Much of the same sentiment can be aimed at the shutter release, which is a touch small for an adult-sized finger, although the power button is positive to use and even has a light-up surround.
The rear of the camera houses the single press movie record button and D-pad as well as the Scene, playback, menu and delete buttons. Each feels decidedly more sturdy than the shutter release and blends in well with the dark surroundings. The screen dominates the majority of the rear of the camera, although there is a large blank space to the right that could easily have housed a 3inch screen instead.
Annoyingly the screen is both surprisingly small and of low resolution at 230k dots as opposed to the 920k dots many of the Nikon Coolpix S3100's rivals offer. The result is a decent enough preview to compose and frame a shot, but the icons depicting the likes of remaining battery life are far too small. The menu suffers equally, offering up wispy lettering on a grey background that proves difficult to make out. The memory card and battery are housed under the same flap, next to which is the too-small AV/USB port. Even though the port is rarely used in preference to the likes of a card reader the fact that the connection is so small and awkwardly placed makes it difficult to access.

Nikon Coolpix S3100 Review - Performance

Having a 5x optical zoom may not sound like a huge burden on a compact camera, especially as the likes of the Panasonic TZ20 has 16x magnification without being a huge amount larger, but the Nikon Coolpix S3100 suffers from delays when taking stills. At the wider end of the lens the 9-point AF system is reasonably snappy,  picking out the subject in an intelligent manner and affording a reasonably straightforward process to take a shot. Further up the range there are more issues, in which the AF system will hunt from front to back before settling on a subject. Although more often than not the Nikon S3100 finds something to focus on the time taken can be frustrating. The focus area can be manually adjusted or at the very least limited, with the d-pad employed to move a small square around the screen limiting the focus to that area.

Nikon Coolpix S3100 Review - Image Quality

Image quality achieves a reasonable balance between quick, convenient snaps and impressive end quality, although there are a few downsides. The camera tends to underexpose, especially when the zoom is in use, losing details on highlights. Although bright days will often provide problems in these areas for most digital compacts the Nikon Coolpix S3100 had real issues providing a balanced exposure in most conditions. When employing the zoom the focus depth was also severely limited, only giving an extremely shallow amount of sharpness and making it extremely hard to compose a shot.
When the S3100 does find a depth sharpness is perfectly acceptable, and returns a decent level of detail. Colour tends to favour saturation more often than not, giving some more orangey shades and turning the flesh tones overly warm. In spite of this the image quality isn't horrible by any means, but the camera is seemingly overstretching itself rather than concentrating on the basics. The low light performance is reasonable up to the ISO 400 mark, although above that noise starts to become more visible and the two upper settings lose tone and colour quality to a noticeable level.

Nikon Coolpix S3100 Review - Value

For a camera with the aesthetics, feature list and technical specs of the Nikon Coolpix S3100 is priced impressively low. The RRP of £129 will undoubtedly be undercut by both the internet and high street, making it something of a bargain all round. Although the image quality may not be ground breaking and the screen a touch smaller than it could be, but the price still keeps it firmly with the ‘bargain' realm.

Full specification for Nikon Coolpix S3100 Review

Sensor 14MP, 1/2.3inch
Lens 26-130mm, F3.2-6.5
LCD 2.7inch
File Formats JPEG, AVI M-JPEG
Shutter Speeds 4-1/2000 sec
Exposure Modes Auto, Auto Scene, Smart Portraits, Subject Tracking
Metering System Multi-pattern, Centre Weighted
ISO Range 80-3200
White Balance Auto, 5 Presets, Manual
Flash Modes Auto, on, off, low light, soft flash
Memory Card SD/SDHC
Connectivity USB/AV
Power Li-ion
Dimensions 93.5 x 57.5 x 18.4mm
Weight 118g
Other 720p HD movie mode

Fujifilm FinePix Z900EXR specifications And review



Fujifilm FinePix Z900EXR specifications

Sensor• 1/2" EXR CMOS sensor
• 16.0 million pixels
Image sizes• 4608 x 3456
• 4608 x 2592   
• 3264 x 2448
• 3264 x 1840
• 2304 x 1728
• 1920 x 1080
• 1920 x 1080
Movie clips• 1920 x 1080
• 1280 x 720
• 640 x 480
with stereo sound
File formats• Still image : JPEG (Exif Ver. 2.3 )
• Movie: H.264
Lens• Fujinon 5x Optical zoom lens
• F 3.9- F4.9
• f=5.0mm - 25mm
• 28-140mm equiv.
Image stabilizationYes, Sensor-shift
Digital zoomApprox. 5x
FocusMode
• Single AF
• Continuous AF
Type
• TTL contrast AF
AF area modes• Multi
• Centre
• Touch & Track
Focus distance• Normal: Approx. 60cm/2ft to infinity / Tele: Approx. 1m /3.3ft to infinity
• Macro: Approx. 9cm-80m / 3.5in-2.6ft / Tele: Approx. 20cm - 80cm / 7.9in. - 2.6ft.
MeteringTTL 256-zones metering
ISO sensitivity• Auto
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200
• ISO 6400
ISO 6400 : M mode or lower
Shutter speed• Auto : 1/4 sec. to 1/2000 sec
• 4 sec. to 1/2000 sec
ApertureF3.9 / F6.2(Wide) F4.9 / F8(Telephoto)
Exposure Modes• Programmed AE
• Manual
Shooting modes• Portrait
• Portrait enhancer
• Landscape
• Sport
• Night
• Night(Tripod)
• Fireworks
• Sunset
• Snow
• Beach
• Party
• Flower
• Text
• Dog
• Cat
White balance• Auto
• Preset (Fine, Shade, Incandescent light, Fluorescent light 1(Daylight), Fluorescent light 2(Warm White), Fluorescent light 3(Cool White))
Self timer10sec. / 2sec. delay / Couple Timer / Group Timer / Auto-shutter(dog, cat) / Auto release
Continuous shootingApprox.3 frame/sec.
Flash• Auto flash (Pop-up)
• Effective range: ( ISO AUTO)
Wide: approx. 30 cm–3.0 m/1 ft.–9.8 ft.
Telephoto: approx. 1.0m–2.1 m/3.3 ft.–6.9 ft.
Macro :Wide: approx. 10 cm–80cm/3.9in.–2.6 ft.
Macro : Telephoto: approx. 20 cm–80cm/7.9in.–2.6 ft.
Flash modesRed-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro.
Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.
LCD monitor• 3.5-inch Touchscreen TFT
• approx. 460,0000 pixels
• approx. 100% coverage
Digital input/output• USB 2.0 High Speed
Video output• HDMI
• NTSC / PAL selectable
Storage• 64 MB Internal memory
• SD / SDHC/ SDXC memory card
Power• Rechargeable NP-45A Li-on battery
• CP-50 with AC power adapter AC-5VX (sold separately)
Weight (no batt)Approx. 141g (5.0 oz)
Weight (with batt)Approx. 158g (5.6 oz)
Dimensions101(W) × 59(H) × 18 (D) mm  (4.0 x 2.3 x 0.7(in))




While the FinePix Z900EXR may be stunning to look at, it also has inner beauty in the shape of the all-new 16 megapixel EXR-CMOS sensor.
Found in other new premium FinePix models including the HS20EXR and F550EXR, the sensor combines two cutting edge technologies to help deliver brilliant pictures in any lighting conditions. Whether you’re shooting outside in bright sunlight, or indoors in subdued lighting, the EXR-CMOS will come into its own thanks to the combination of a Back Side Illuminated (BSI) sensor and triple-layer EXR array.
With conventional sensor design, light has to pass through a layer of wiring before it reaches the photo diodes. This reduces the amount of light hitting the sensor. But with a BSI sensor, the wiring layer and photo diodes are reversed so sensitivity is improved; a benefit that’s particularly obvious when shooting in low light conditions.
The triple-layer EXR array adds further versatility by modifying its behaviour according to the picture-taking situation. Users can either let the Z900EXR choose the correct setting itself by selecting the EXR Auto mode, or pick from three manual options:
  • High Resolution mode should be chosen when you’re after exceptional image quality. The FinePix Z900EXR uses the full 16 megapixel resolution to produce images that can printed out at A3 size straight from the camera.
  • Signal to Noise mode is the one to choose in low light conditions where the combination with the BSI sensor makes for superb results. To achieve this, the Z900EXR uses Pixel Fusion where it doubles the size of the pixels to make them more sensitive to light.
  • Finally, Dynamic Range mode cleverly takes two pictures and combines them to provide a range of up to 1600%. This makes light work of scenes with lots of contrast such as a landscape on a summer’s day or a portrait where the light source is behind the subject.
3.5 inch LCD: a touch of class
Fujifilm has harnessed the very latest touch-screen technology on the FinePix Z900EXR. The large, 3.5 inch LCD has 460,000 pixels for high image quality, plus it adds Multi Touch functionality to make it even easier to check sharpness and clarity on your shots. With the Z900EXR you can use two fingers to expand and reduce image size or simply swipe from side-to-side to scroll through your shots, iPhone-style.
An improved user interface also ensures that the camera is easier and more pleasant to use. Pixellated graphics are so last year! Now they’ve been replaced with rounded text and graphics thanks to Vector fonts and Flash-based animation. What’s more, the improved graphics are scaleable, so you’ll benefit from the improved interface whether you’re using the camera’s rear LCD or viewing images through an HDTV via the mini HDMI output.
Great shots, in the blink of an eyeHow many shots have you missed because your current compact hasn’t been able to keep up with the action? The FinePix Z900EXR makes missed shots a thing of the past thanks to its selection of features for super-fast capture.You can shoot up to 3 frames per second at 16 megapixel resolution, which will ensure you keep up with even the fastest action. Speed demons won’t be disappointed by the high speed video function either with an incredible 320 frames per second available, which will stop anything in its tracks.
This high speed functionality has benefits for more conventional images, too. The FinePix Z900EXR’s Pro Low Light and Pro Focus modes both capture multiple images in the blink of an eye and then combine them to deliver brilliant results. Pro Low Light will help you get perfect images in lower lighting conditions without having to resort to using a tripod or other support, while Pro Focus takes images at different focusing points to produce a blurred background; perfect for concentrating full attention on portrait subjects.
Video quality doesn’t come any betterFujifilm recognises that the world doesn’t just revolve around still images, which is why the FinePix Z900EXR features high quality Full HD video capability even in low light conditions with Pixel Fusion Movie technology.  Here, pixels are doubled up to make them more sensitive to low light so it is perfect for the night party season!  Also, it can save as the H.264 format; which doesn’t take up as much room on the memory card as a conventional AVI file. Not only does this mean you can shoot more high quality 1080p footage, it’s easier to share with friends and family via sites like YouTube, or by simply plugging the camera straight into a HD-ready TV.
Slim and good lookingAvailable in four high gloss colours – Brilliant Black, Gloss Red, Hot Pink and Royal Blue - there’s a FinePix Z900EXR to suit everyone (and every outfit!), plus its ultra slim body measuring just 18.2mm wide is easy to take anywhere.Despite these svelte proportions, the Z900EXR still manages to pack in a 5x wide-angle zoom lens covering 28-140mm (35mm equivalent) so you’ll be ready to capture everything from group shots, to tightly-cropped head and shoulders portraits. Plus, there’s no need to worry about the battery running out half way through your evening; it now offers approximately 220 frames per charge. Absolutely fabulous!
Fujifilm FinePix Z900EXR key features:
  • 16 megapixel EXR-CMOS sensor
  • 5x optical zoom covering 28-140mm (35mm equivalent)
  • 3.5 inch touch-screen LCD with Multi Touch functionality
  • Rich User Interface using Vector fonts/graphics and Flash animation
  • CMOS Shift Image Stabilisation
  • Up to ISO 6400
  • 1600% wide dynamic range
  • High speed shooting up to 12 frames per second
  • Full HD movie capture using H.264 (MOV) format
  • Mini HDMI port
  • New EXR Auto mode featuring 27 scenes
  • 360° Panorama mode
  • Available colours – Brilliant Black, Gloss Red, Hot Pink and Royal Blue.